Mainly only if you’re into film as a hobby. Don’t get me wrong, the stuff others have said about the story itself make it a good watch overall.
But it’s no better in that regard than any other teen drama movie.
It’s the way it was done that really makes it significant, imo.
Hughes had this really distinct visual style. Bright, vibrant, and kinda larger than life. He used it to take a look at slices of life that were, in the breakfast club, angsty as fuck. Most scenes are vivid, and the drama plays out in that almost candy coated world.
Since the cast was perfect for their roles, something else Hughes was great at imo, they managed to each fulfill their stereotype in a way that pops out of the screen. The very artificialiality of the cinematography and the almost cheesy costuming allows you to skip past a lot of immersion barriers and just enjoy the characters and dialogue.
Hughes was really good at that balance. The Breakfast Club is the best example of his vision. And, because it influenced so many other filmmakers and the industry, it’s an important one to watch from that perspective, even if it isn’t really going to resonate as well with someone born much later. Not that it can’t, or won’t at all, just that the entirety of teen living shifted post internet, and much of the gen Y range falls into that era.
So, yeah, if you’re into film as a hobby or more serious interest, you need to see it, and Ferris Bueler. Maybe throw in uncle buck as well as planes, trains and automobiles. Those two are kind of inverse because they’re built as comedies first, and that makes the vibe of the drama in them work different than his drama first movies (though Bueler may be debated about which it actually was as a base)









Absolutely fine, glad it sparked interest :)