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Cake day: August 8th, 2024

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  • It’s weird to sell a new game only in a bundle. Makes me think it won’t be good enough to sell on its own.

    But I’ll consider buying this just for the original Ecco. It remains one of the most atmospheric games I’ve ever played. That music, and the feeling of claustrophobia, just incredible.

    When I was a kid, Big Blue freaked me out, so I rarely made it past him. I know you don’t fight him or anything; I just used to get scared and stop playing. I’ve always wanted to revisit the game as an adult.







  • moakley@lemmy.worldtoLemmy Shitpost@lemmy.worldPost title lol
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    10 days ago

    The English language is capable of endless nuance. If you can’t convey tone, just get better at writing.

    You also shouldn’t get in the habit of undercutting everything you say. It’s ok to say something and mean it. If you don’t take yourself seriously, other people won’t take you seriously.

    Besides, when you are joking, it’s funnier when you don’t wink. Winking is for suckers.













  • I couldn’t get through Tolkien. I tried reading the Hobbit but gave up when it started talking about blue beards and gold belts. It felt too arbitrary to hold my interest.

    But the LotR movies are needlessly slow. It’s Peter Jackson’s directing style, which only works in that very specific context where a large portion of the audience is ready to fill in the blank spaces, and the rest of the audience forgives it because they expect it to be a rambling epic.

    Every shot is one second too long. You could cut an hour from the runtime just by cutting out the lingering reaction shots. Every time Sam or Frodo says something, it’s followed by two seconds of them staring longingly into each other’s eyes. There are so many things to love about those movies, but they’re basically unwatchable to me.

    As for Rowling, I think her success is mostly due to accessibility. They’re easy reads in a way that fantasy books almost never are. The reader doesn’t have to put in any work to get to the world building.

    She follows a classical plot structure. She establishes motifs early and only subverts them when subverting them becomes the obvious choice. There are many blue beard/gold belt moments, but they’re propped up by easy-to-understand structures like the house system.

    But yeah, then there’s no depth to it after that. I always thought it was overrated.